Expanding the "movable-do" solfege system for 17edo: an aid for microtonal singing; a way of wrapping yr brain around a new sound system.
Ordinary solfege syllables work very well in 17:
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
C
Db
C#
D
Eb
D#
E
F
Gb
F#
G
Ab
G#
A
Bb
A#
B
do
ra
di
re
me
ri
mi
fa
se
fi
sol
le
si
la
te
li
do
Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. "ra" & "di"). Spelling matters here.
This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
C
Db
C#
D
Eb
D#
E
F
Gb
F#
G
Ab
G#
A
Bb
A#
B
C
C-up
D-down
D
D-up
E-down
E
F
F-up
G-down
G
G-up
A-down
A
A-up
B-down
B
So, for example, we can respell our augmented second, D#, as a neutral third, E-down, & get something more intuitive & useful for certain purposes.
But what if we want solfege syllables for these respellings?
ru, mu, lu & tu
I offer the suffix "-u" to indicate neutral 2nds, 3rds, 6ths, & 7ths.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
C
Db
D-down
D
Eb
E-down
E
F
Gb
F#
G
Ab
A-down
A
Bb
B-down
B
do
ra
ru
re
me
mu
mi
fa
se
fi
sol
le
lu
la
te
tu
ti
So if we encounter a "ru," we know to take it as a neutral second (not an augmented unison); if we encounter "lu," we know to take it as a neutral sixth (not an augmented fifth) & so on.
fu & su
What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer "fu"; likewise, if you want G-down in place of F-up, I offer "su".
Ordinary solfege syllables work very well in 17:
Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. "ra" & "di"). Spelling matters here.
This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:
So, for example, we can respell our augmented second, D#, as a neutral third, E-down, & get something more intuitive & useful for certain purposes.
But what if we want solfege syllables for these respellings?
ru, mu, lu & tu
I offer the suffix "-u" to indicate neutral 2nds, 3rds, 6ths, & 7ths.
So if we encounter a "ru," we know to take it as a neutral second (not an augmented unison); if we encounter "lu," we know to take it as a neutral sixth (not an augmented fifth) & so on.
fu & su
What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer "fu"; likewise, if you want G-down in place of F-up, I offer "su".
other enharmonics
Some offers, to fill out the octave:
side-by-side
For comparison, the full system:
See also 22edo Solfege